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Martina Nehrling

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Chicago Tribune, June 13, 2008,  sec.7, C, pg. 22

 

"Through a Purple Patch: New Paintings" @ Zg Gallery


Standing in front of her gigantic, panoramic “Through a Purple Patch" artist Martina Nehrling ponders on how to describe her work and how it comes to be. She notes the experiential quality of the titular piece of her new exhibition opening tonight, spanning 21 feet across the south wall of the Zg Gallery, three canvases combined. Stretched so far as to fit on her studio wall with two inches to spare, the painting stood sentry as she created the other works of the exhibition, eight in all.
The triune "Purple Patch" is perhaps the capstone of her last year of work.” Purple Patch" is partly an homage to Monet and his "Water Lilies" a series that deeply resonated with Nehrling, one that she sought out at the Museum of Modern Art in New York. She felt an affinity with the Impressionist master in his later period, as his brushwork grew more self-evident. Nehrling's stroke is incredibly prominent in her wonderfully chaotic work. Her colors bounce around the on-canvas tumult, reds and green rising out of blues and oranges -- a diffuse, dynamic and interactive event.

"It's a reflection of my part of the world, the busy urban setting, the routine of over stimulus" she says. Nehrling, quick to add, "that's just my personal take, I can't speak for everyone" is a young, growing artist with an idiosyncratic style.

 Nehrling describes the first (chronological) piece of the show as having three layers of shape: first the discrete form, like a shadow of an ice cream cone; and then the under-paint, loose geometrics within the discrete; and finally her signature staccato stroke populating the painting, alternately cacophony and symphony. - Drake

 

University of Chicago Magazine, June 2006, pgs. 50 - 51, 54

Chicago Tribune, June 2, 2006, C sec.7, pg. 27


Chicago Reader
, September 24, 2004, vol. 33, No. 52, Sec. 2, pg. 25


Where Chicago
, September, 2004,  pg. 20

Art & Antiques, September, 2004, vol. 27, No. 8, pg. 26

Architectural Digest, August, 2004, vol. 61, No. 8, pgs. 50 & 71

Chicago Reader, Friday, February 6, 2004, Vol. 33, No. 19, Sec. 2, pg. 26

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